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・ Richard L. Conolly
・ Richard L. Cox
・ Richard L. Crowther
・ Richard L. Daft
・ Richard L. Duchossois
・ Richard L. Dugger
・ Richard L. Evans
・ Richard L. Frey
・ Richard L. Friedman
・ Richard L. Gelb
・ Richard L. Gregg
・ Richard L. Hanna
・ Richard L. Hasen
・ Richard L. Hauke
・ Richard L. Hay (geologist)
Richard L. Hay (scenic designer)
・ Richard L. Heschl
・ Richard L. Hills
・ Richard L. Hoffman
・ Richard L. Hoxie
・ Richard L. Huganir
・ Richard L. Hunter
・ Richard L. Jantz Stadium
・ Richard L. Jenkins
・ Richard L. Jensen
・ Richard L. Kitchens Post No. 41
・ Richard L. Landau
・ Richard L. Lawson
・ Richard L. Meier
・ Richard L. Morrill


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Richard L. Hay (scenic designer) : ウィキペディア英語版
Richard L. Hay (scenic designer)

Richard L. Hay (born 1929) is the Principal Theatre and Scenic Director at the Oregon Shakespeare Festival.
==Career==
Richard L. Hay has since 1950 been Actor, Lighting Assistant, Technical Director, Art Director, Designer and Technical Director, Resident Scenic Designer, and Principal Theatre and Scenic Director at the Oregon Shakespeare Festival, interrupted by occasional stints at other theatres. The Oregon Shakespeare Festival has dedicated its 2009 season, the fiftieth anniversary of the Elizabethan Stage which he designed, to Richard Hay.〔(【引用サイトリンク】 url=http://www.osfashland.org/news/releases/article.aspx?id=118 )
Over more than half a century, Hay has designed four theaters and 224 productions, 114 of them by Shakespeare, for the Festival. He is one of the few people who have designed sets for every single one of Shakespeare’s plays, and he has designed sets for The Merchant of Venice, Twelfth Night, Hamlet, and Much Ado about Nothing five times. He designed nine other theaters including the Festival Stage and New Old Globe Theatre in San Diego, the Source Theatre and Space Theatre in Denver, the Intiman Playhouse in Seattle, the Milwaukee Repertory Theater, and Artists Repertory Theatre in Portland, Oregon. Outside of the Oregon Shakespearean Festival he has done the scenic design for 85 additional productions at theatres such as the Mark Taper Forum in Los Angeles, Kennedy Center in Washington DC, and the Gramercy Arts Theatre and Nederlander Theatre (formerly Billy Rose Theatre) in New York. He is known for producing sets that vary from the highly realistic through the whimsical to the stark and abstract, and for his ability to work with directors and technical staff.〔

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